Modern,with,Handmade Products , Home Kitchen , Home Décor,House,Black,$23,Rectangle,Classic,Acryli,/moonsick732096.html,Numbers,email.nolwadigital.com,White,- Modern,with,Handmade Products , Home Kitchen , Home Décor,House,Black,$23,Rectangle,Classic,Acryli,/moonsick732096.html,Numbers,email.nolwadigital.com,White,- $23 Classic Modern House Numbers - Rectangle White with Black Acryli Handmade Products Home Kitchen Home Décor Classic Modern House Numbers - with White Black Rectangle Finally resale start Acryli $23 Classic Modern House Numbers - Rectangle White with Black Acryli Handmade Products Home Kitchen Home Décor Classic Modern House Numbers - with White Black Rectangle Finally resale start Acryli

Classic Modern House Numbers - with White Black Gifts Rectangle Finally resale start Acryli

Classic Modern House Numbers - Rectangle White with Black Acryli

$23

Classic Modern House Numbers - Rectangle White with Black Acryli

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Size:20" x 7"  |  Color:Matte Black

The Plaque is made of two layers of Acrylic with cutout numbers on the front face layer. Color you are choosing is for the background layer ( shown black in the picture ). The Plaque has four pre-drilled holes and is supplied with four chrome screws, four Discs Caps and rawl plugs.

Classic Modern House Numbers - Rectangle White with Black Acryli

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Pretenders

Pretenders

January 3, 1980

Contemporary Pop/Rock

"Brass in Pocket" and "Stop Your Sobbing" became the new wave/classic rock staples from this album, but the raw gutsy push of "Up the Neck" and the leadoff track "Precious" deserve as much attention. Chrissy Hynde's tough purr is offset by James Honeyman-Scott's angular riffs and song structures perfectly on the band's debut.

- Zac Johnson

John Carpenter

WinCraft Destination Colorado State/Colorado Perfect Cut Color D

1980

Film Score

John Carpenter's dual role as horror director and sound designer for his eerie films of the '70s, '80s, and beyond helped form entire subgenres of synthesizer music, and the eerie, meandering score for his 1980 film The Fog is no different. A little lighter on anxious percussion and bass-heavy synth notes, the pieces here return to haunted piano figures, perfect for the eerie, mist-covered atmospheres of the movie or any creepy occasion.

- Fred Thomas